5 reasons why Tees Maar Khan failed
Farah Khan's Tees Maar Khan was expected to be the eagle that soared at the box office this year. Instead, it has turned out a turkey, spurned by audiences and critics.
Image: Katrina Kaif and Akshay Kumar in Tees Maar Khan
Sukanya Verma explains what went wrong with one of her favourite directors's latest film.
Oh, how the mighty have fallen.
With Main Hoon Naa and Om Shanti Om, Farah Khan, the choreographer-turned-director, demonstrated her flair for dazzling aesthetics and quick-witted humour. As it turns out, both films earned blockbuster status and catapulted her in the league of the leading Hindi filmmakers.
Ever since she announced her new project, Tees Maar Khan, expectations were understandably greater than ever. Moreover, thanks to the overwhelming amount of publicity generated owing to its ritzy item number, Sheila Ki Jawani, the con caper was slated to become Bollywood's grand finale to 2010.
Instead of a hat trick, Farah's rights-purchased remake of Peter Seller's After the Fox was ruthlessly ravaged by audiences and critics.
Instead of a hat trick, Farah's rights-purchased remake of Peter Seller's After the Fox was ruthlessly ravaged by audiences and critics.
Expectedly, the film opened well at the box office last weekend -- it is Akshay Kumar's best opening ever -- but collections dropped dramatically after disappointment dawned.
What went wrong?
1. Tacky, pedestrian writing
The Kunders -- Farah's husband Shirish and his brother Ashmith -- had some nifty source material at their disposal. But instead of getting inspired, they botched it up to produce a rather pedestrian, lacklustre, sluggishly written screenplay that was preoccupied in forcibly plugging its titular character's coolness instead of providing a solid enough characterisation to root for him.
The Kunders -- Farah's husband Shirish and his brother Ashmith -- had some nifty source material at their disposal. But instead of getting inspired, they botched it up to produce a rather pedestrian, lacklustre, sluggishly written screenplay that was preoccupied in forcibly plugging its titular character's coolness instead of providing a solid enough characterisation to root for him.
Image: Katrina Kaif and Akshay Kumar in Tees Maar Khan
Considering humour has such a strong identity in Farah's films and persona, the standard of comedy in Tees Maar Khan is appalling!
The jokes involving an Albino, gay cops or those snide remarks on industry wallahs are much too stupid or snarky to endorse.
The jokes involving an Albino, gay cops or those snide remarks on industry wallahs are much too stupid or snarky to endorse.
Image: A scene from Tees Maar Khan
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